Editor: Maurizio Donzelli
Publishing house: Mousse publishing
Pages: 186
Metamorfosi is the catalogue published by Mousse for Maurizio Donzelli’s show at Palazzo Fortuny in Venice, curated by Andrea Viliani. Documenting an overview of the extensive and intricate research that Donzelli’s has undertaken over the past few years, the book is an iconographic journey through the artistic production of the Italian artist that lead to his installation in the stunning context of the Venetian Institute.
The poetic universe of Donzelli has found the perfect place to weave a dialogue with the complex, richly imaginative world of Mariano Fortuny, in the former home and studio of the Spanish-born artist, that nowadays hosts the Museum that bears his name.
Featuring texts by Daniela Ferretti, Mariuccia Casadio, Andrea Viliani and Maurizio Donzelli himself, the pages contain an extensive contemplation of the intellectual and technical tools of Donzelli: from the essential Drawing—the real centrepiece of the artist’s practice—to the meticulous Carpet and the captivating and impenetrable Mirrors.
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Editor: Maurizio Donzelli
Publishing house: Mousse publishing
Pages: 186
Metamorfosi is the catalogue published by Mousse for Maurizio Donzelli’s show at Palazzo Fortuny in Venice, curated by Andrea Viliani. Documenting an overview of the extensive and intricate research that Donzelli’s has undertaken over the past few years, the book is an iconographic journey through the artistic production of the Italian artist that lead to his installation in the stunning context of the Venetian Institute.
The poetic universe of Donzelli has found the perfect place to weave a dialogue with the complex, richly imaginative world of Mariano Fortuny, in the former home and studio of the Spanish-born artist, that nowadays hosts the Museum that bears his name.
Featuring texts by Daniela Ferretti, Mariuccia Casadio, Andrea Viliani and Maurizio Donzelli himself, the pages contain an extensive contemplation of the intellectual and technical tools of Donzelli: from the essential Drawing—the real centrepiece of the artist’s practice—to the meticulous Carpet and the captivating and impenetrable Mirrors.